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2009 Ernesto Cardenal. El Triunfo de la Palabra. Fundación Mediterránia, Universidad Veracruzana, Red Internacional de Escritores por la Tierra. 141 p. 2009, Tarragona, Cataluña, Spain. Author, Juan Carlos Ruiz.
2008 Gritos desde el Archivo. Colección Blaisten/Centro Cultural Universitario Tlatelolco. Mexico, 2008.

Fotomontaje. Cátedra. 375 p. 2008, Madrid, España. Auhtor, Jacob Bañuelos Capistrán.

A Resignified Icon. Colección Blaisten/Centro Cultural Universitario Tlatelolco. 172 p. 2008. Mexico City, Mexico. Auhtor, Pilar García de Germenos.

Adobe Photoshop & the art of photography. Thomson. Delmar Learning. 433 p. 2008. New York, NY, USA. Author, Steve Weinrebe.
2007 Nash Editions. Photography and the art of digital printing. Edited by Garrett White. New Riders.Berkeley, Ca, USA. pp. 25, 42.

Complemento del Libro dia 1. La vaca independiente. p. 29. Mexico, 2007.

Borges. Un escritor en las orillas. Siglo Veintiuno Editores. Mexico, 2007. Cover by Pedro Meyer. Article by Beatriz Sarlo.

Latin America in Theory. David E. Johnson. The South Atlantic Quarterly. The Duke University Press. Durham, NC, USA, 2007. Cover by Pedro Meyer.

Conversaciones con fotógrafos mexicanos. Gustavo Gili. pp. 202-205. 2007. Barcelona, Spain. Author, Claudi Carreras.
2006

The Photobook: A History volume II. Parr, Martin; Gerry Badger. Phaidon. London, England. 2006. pp. 198-199.

Rodando. Enrique Soto Eguibar. Prologue by Pedro Meyer. Mexico 2006. pp. 5-6.

Flesh Life. Sex in Mexico City. Joseph Rodríguez. Afterword by Pedro Meyer. PowerHouse Books. New York, NY, USA. 2006.

Quito. Laberinto en claro oscuro. Ma. Teresa García Farr. Trama. Ecuador, 2006.p. 96.

Escandalario los artistas y la distribución del arte. Mónica Mayer. CONACULTA. Mexico City, Mexico. 2006. pp. 58,59.

The Real and the True the Digital Photography of Pedro Meyer. New Riders. 219 p. 2006. USA. Author, Pedro Meyer.


Prawda i rzeczywistosc w fotografii. New Riders. Helion. 294 p. 2006. Poland. Author, Pedro Meyer.


Pedro Meyer. China Pingyao International Phoyography Festival. Shutian. China. 2006. Collaborator Wang Rui.

2005 Photography Reborn. Image Making in the Digital Era. Johnathan Lipkin. Abrams Studio. New York, USA, 2005. pp. 78-82.

Fuga Mexicana. Un recorrido por la fotografía en México. Oliver Debroise. Gustavo Gili. Barcelona, Spain, 2005. pp. 15,19, 20, 28, 197, 198, 221, 229, 230, 231, 347.

La Caverna Chiara. Sergio Giusti. Museo di Fotografia Contemporanea. Lupetti. Milano, Italy, 2005. pp. 91-93

Going Visual. Alexis Gerard and Bob Goldstein. Caphter 8 Going further visual five future steps, Wiley & Sons, New Jersey, USA. 2005. pp 202.

The Painter IX. Wow! Book. Peachpit Press. Berkeley, California, USA. 2005. p. 291.
2004 The Painter 8. Wow! Book. Peachpit Press. Berkeley, California, USA, 2004. p. 247.

Real World Digital Photography. Katrin Eismann, Séan Duggan, Tim Grey. Peachpit Press. Berkeley, California, USA. 2004 p. 6.

Things. A Spectrum of Photography 1850-2001. Jonathan Cape, Victoria and Albert Museum. London, Great Britain. 2004. pp 116- 117. 2004.

El Dilema de Bukowski. Rogelio Villareal. La Fotografía Digital, el internet y el burdel de Manila. Conversación con Pedro Meyer.Textos para después del amor, la violencia, el arte y la posmodernidad. Ediciones sin Nombre, Mexico City, Mexico. 2004. pp. 351-361

Ji Shi She Ying Feng Ge Yu Tan Suo. Documentary Photography Style and Approach. Shandong Pictorial Publishing House. China. p. 218.
2003

American Photography. Miles Orvell. Oxford History of Art. Oxford University Press. United Kingdom. 2003. pp. 204-207.

Disappearing Witness. Change in Twentieth Century American Photography. Gretchen Garner. The Johns Hopkins University Press. Baltimore. MD, USA, 2003. p. 248.

Los Paisajes de la Contracultura. Cuadernos de Contracultura 1. Ediciones sin nombre. Mexico City,mexico. 2003. Cover by Pedro Meyer.

Miradas Guadalupanas. CONACULTA, Jus. Ed Encuentro, Mexico. 2003. pp. 182-183, 238-239.

Mapas Abiertos. Fotografía Latinoamericana. 1991-2002. Alejandro Castellote. Spain, 2003. p. 298.

The Photography Reader. Liz Wells, Routledge, United Kingdom.2003. p. 317

The Photography Handbook. Terence Wright. Routledge, United Kingdom. 2003 p. 210

2002 A day in the life of Africa. Tides Foundation, San Francisco, USA. 2002. pp. 58, 69.

A Day in the Life of Africa, Radicalmedia, USA, 2002.(CD-ROM)

Phototruth Or Photofiction? Ethics and media imaginery in the Digital Age. Tom Wheeler. Lawrence Erlbaum Associates. New Jersey, USA. 2002. pp. 101, 136, 138-139

Photography Past Forward. Aperture at 50. Aperture, New York, USA. 2002. p.170
2001 ABCDF Diccionario Gráfico de la Ciudad de México. Fundación Televisa. CONACULTA. Diamantina. Mexico City. Mexico. 2001. pp. 658, 873, 1016-1017.

History Painting Reassessed. David Green, Peter Seddon. Manchester University Press. United Kingdom. 2001. pp. 62-63.

Mexican Suite. Olivier Debroise. University of Texas Press. USA. 2001. pp. 7, 15, 133, 149. 153, 155, 247, 252, 267, 269, 270.

Nacho López, Mexican Photographer. John Mraz. University of Minessota Press. USA. pp. xiv, 172, 185, 187, 190, 198, 236- 238.

The Book of Alternative Photographic Processes. Christopher James. Thomson Delmar Learning. Canada. 2001. p. 55.
2000 Efe ocho por uno. Omar Gasca. Universidad de Ciencias y Artes de Chiapas. Mexico. 2000. pp 81-93.

Seizing the Light. A History of Photography. Robert Hirsch. Mc Graw Hill. USA. 2000. p. 480.

Dangerous Border Crossers. Guillermo Gomez-Pena. Routledge, United Kingdom. 2000. p 247.

Photography: A Critical Introduction. Liz Wells. Routledge, United Kingdom. 2000. pp. xix, 308, 340, 380.
1999 Remediation. Understanding New Media. The MIT Press. London, England. pp. 107-111.

Voyeur. HarperCollins. Hong Kong. pp. s.n.
1998

Image and memory. Photography from Latin America. 1866-1994. Edited by Wendy Watriss y Lois Parkinson Zamora. University of Texas. FotoFest, TX, USA. 1998. pp. 3, 75-77, 89, 90.

Picture Collections: Mexico. Martha Davidson. The National Endowment for the Humanities. USA. 1998.

Photography 1900 to the present. Diana Emery Hulick, Joseph Marshall. Prentice Hall. New Jersey, USA. pp. 250.

The Gait Workbook. A practical guide to clinical gait analysis. Jan Bruckner. Slack. New Jersey, USA. 1998. cover.

1997 El beso de Judas. Fotografía y verdad. pp. 53, 145. Gustavo Gili. Barcelona, Spain. Article by Joan Fontcuberta.
1996

24 Hours in Cyberspace: Painting on the walls of the digital cave. Rick Smolan y Jenniffer Erwitt. Macmillan, New York, USA. 1996. p. 214.

Le baiser de Judas. Phographie et vérité. pp. 44, 103. Joan Fontcuberta. Actes Sud. France, 1996.

A Short Course in Photography. Barbara London and Jim Stone. Harper Collins. New York, USA. 1996. p. 152.

1995 The Photographic Image in Digital Culture. Routledge, United Kingdom. 1995. pp. 63, 66.

Contemporary Photographers. p. 757. St. James Press. USA, 1995.

Technology of the Wild. pp.267-269, 271, 273, 279, 281, 283. Japan, 1995.

New Feminist Art Criticism. Katy Deepwell. Manchester University Press. United Kingdom. 1995. p. 172
1993 Communication Arts. Photography Annual. Coyne & Balnchard. California, EU. 1993. pp. 160-167.

Canto a la realidad. Fotografía Latinoamericana 1860-1993. pp. 64, 364-365. Erika Billeter. Lunwerg, Spain. 1993.
1992 The Other Side. Fault Lines, Guerrilla Saints and The True Heart of Rock 'n' Roll.  Rubén Martínez. Verso. USA, 1992. Cover y p. 111.
1991 The Circle of Life: Rituals from the human family album. Cohen. Japan. 1991. pp. 146-147.

La Raccolta Fotografica. Grafis Edizioni. p. 125. Italy. 1991.

The Skeleton at the Feast. The day of the Dead in Mexico. Elizabeth Carmichael. University of Texas Press. USA. 1991. p.147.
1989 Episodios Fotográficos. Raquel Tibol. Libros de Proceso. Mexico. 1989. pp. 273-293.
1988

Contemporary Photographers. St James Press Chicago and London. London, England. 1998. Photograph by Pedro Meyer. pp. 686-687.

1987 Latin America: Myth and Reality. A radio Play Series of the Westdeutscher Rundfunk, Cologne 1957-1987. Germany, 1987. pp. 33, 85, 90.

Feito na América Latina. II Colóquio Latino-Americano de Fotografia. Coleçao Luz & Reflexao. Conselho Mexicano de Fotografía. Ministério da Cultura. FUNARTE. 1987. Palavras de apresentaçao. II Colóquio Latino-americano de Fotografía. Photograph by Pedro Meyer. pp 7-12.
1986 A history of Photography. J. Lemagny. Bordas. Paris, France. 1986.
1985 Library of Nations. Mexico. Time Life Books. VA, USA, 1985. Photographs by Pedro Meyer and Graciela Iturbide. pp. 8-9, 24, 37, 40-41, 47-51, 64-67, 70-71, 7789, 90-97, 105, 136-137, 141, 143-147.

Nuestros Mayores. ISSSTE, Mexico City, Photographs by Pedro Meyer. 1985. pp. 92 y 142.
1984 A World History of Photography. Naomi Rosenblum. Abbbeville Press. New York, USA. 1984. p. 539.
1983 Reinvindicaci—n del placer. M. Vasconcelos. Ediciones Ulises Mexicano. Mexico City, Mexico, 1983. Cover by Pedro Meyer
1982 Contemporary Photographers. McMillan. Hong Kong, China. 1982. Photograph by Pedro Meyer p. 509-510.
1981 Aspectos de la fotograf’a en Mexico. Vol 1. Federaci—n Editorial Mexicana. Mexico. Ēptica de un Fot—grafo Latinoamericano by Pedro Meyer pp. 71-82. Photograph by Pedro Meyer in an article by Carla Stellweg Una panorŗmica, proyecci—n de la fotograf’a en Mexico. p. 26.
1980 Cuadernos de Uno mŗs Uno. La Batalla por Nicaragua. Ed, Uno. Mexico, 1980. Photograph and texts by Pedro Meyer. pp. 32, 47, 49, 122- 134, 205, 275, 279.
1979 Photography Year 1979. The Major Shows Eye-opening. Debuts in Latin America. Time Life Books, New York, USA. 1979. pp. 74, 80. Photograph by Pedro Meyer.

Nicaragua, AÝo Cero. La ca’da de la dinast’a Somoza. May Antonio Sŗnchez. Ed. Diana. Mexico City, Mexico. 1979. Cover by Pedro Meyer.

Poes’a y revoluci—n. Ernesto Cardenal. Colecci—n Filosofia y Liberaci—n Latinoamericana. Ed. Edicol. Mexico City, Mexico. 1979. Cover by Pedro Meyer.
1975 The Photographers’ Choice. Edit by Kelly Wise. Addison Gallery, Danbury, New Hampshire, USA. 1975.
1971 La noche de Tlatelolco. Elena Poniatioiwska. Editorial Era, Mexico City, 1971. Cover and photographs by Pedro Meyer.

Los d’as y los aÝos by Luis Gonzŗlez de Alba. Ediciones Era, 1971. Cover by Pedro Meyer.

 


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