Pedro Meyer - Visiting artist

2009

• Ernesto Cardenal. El Triunfo de la Palabra. Fundación Mediterránia, Universidad Veracruzana, Red Internacional de Escritores por la Tierra. 141 p. 2009, Tarragona, Cataluña, Spain. Author, Juan Carlos Ruiz.

2008

• Gritos desde el Archivo. Colección Blaisten/Centro Cultural Universitario Tlatelolco. Mexico, 2008.

• Fotomontaje. Cátedra. 375 p. 2008, Madrid, España. Auhtor, Jacob Bañuelos Capistrán.

• A Resignified Icon. Colección Blaisten/Centro Cultural Universitario Tlatelolco. 172 p. 2008. Mexico City, Mexico. Auhtor, Pilar García de Germenos.

• Adobe Photoshop & the art of photography. Thomson. Delmar Learning. 433 p. 2008. New York, NY, USA. Author, Steve Weinrebe.

2007

• Nash Editions. Photography and the art of digital printing. Edited by Garrett White. New Riders.Berkeley, Ca, USA. pp. 25, 42.

• Complemento del Libro dia 1. La vaca independiente. p. 29. Mexico, 2007.

• Borges. Un escritor en las orillas. Siglo Veintiuno Editores. Mexico, 2007. Cover by Pedro Meyer. Article by Beatriz Sarlo.

• Latin America in Theory. David E. Johnson. The South Atlantic Quarterly. The Duke University Press. Durham, NC, USA, 2007. Cover by Pedro Meyer.

• Conversaciones con fotógrafos mexicanos. Gustavo Gili. pp. 202-205. 2007. Barcelona, Spain. Author, Claudi Carreras.

2006

• The Photobook: A History volume II. Parr, Martin; Gerry Badger. Phaidon. London, England. 2006. pp. 198-199.

• Rodando. Enrique Soto Eguibar. Prologue by Pedro Meyer. Mexico 2006. pp. 5-6.

• Flesh Life. Sex in Mexico City. Joseph Rodríguez. Afterword by Pedro Meyer. PowerHouse Books. New York, NY, USA. 2006.

• Quito. Laberinto en claro oscuro. Ma. Teresa García Farr. Trama. Ecuador, 2006.p. 96.

• Escandalario los artistas y la distribución del arte. Mónica Mayer. CONACULTA. Mexico City, Mexico. 2006. pp. 58,59.

• The Real and the True the Digital Photography of Pedro Meyer. New Riders. 219 p. 2006. USA. Author, Pedro Meyer.

• Prawda i rzeczywistosc w fotografii. New Riders. Helion. 294 p. 2006. Poland. Author, Pedro Meyer.

• Pedro Meyer. China Pingyao International Phoyography Festival. Shutian. China. 2006. Collaborator Wang Rui.

2005

• Photography Reborn. Image Making in the Digital Era. Johnathan Lipkin. Abrams Studio. New York, USA, 2005. pp. 78-82.

• Fuga Mexicana. Un recorrido por la fotografía en México. Oliver Debroise. Gustavo Gili. Barcelona, Spain, 2005. pp. 15,19, 20, 28, 197, 198, 221, 229, 230, 231, 347.

• La Caverna Chiara. Sergio Giusti. Museo di Fotografia Contemporanea. Lupetti. Milano, Italy, 2005. pp. 91-93

• Going Visual. Alexis Gerard and Bob Goldstein. Caphter 8 Going further visual five future steps, Wiley & Sons, New Jersey, USA. 2005. pp 202.

• The Painter IX. Wow! Book. Peachpit Press. Berkeley, California, USA. 2005. p. 291.

2004

• The Painter 8. Wow! Book. Peachpit Press. Berkeley, California, USA, 2004. p. 247.

• Real World Digital Photography. Katrin Eismann, Séan Duggan, Tim Grey. Peachpit Press. Berkeley, California, USA. 2004 p. 6.

• Things. A Spectrum of Photography 1850-2001. Jonathan Cape, Victoria and Albert Museum. London, Great Britain. 2004. pp 116- 117. 2004.

• El Dilema de Bukowski. Rogelio Villareal. La Fotografía Digital, el internet y el burdel de Manila. Conversación con Pedro Meyer.Textos para después del amor, la violencia, el arte y la posmodernidad. Ediciones sin Nombre, Mexico City, Mexico. 2004. pp. 351-361

• Ji Shi She Ying Feng Ge Yu Tan Suo. Documentary Photography Style and Approach. Shandong Pictorial Publishing House. China. p. 218.

2003

• American Photography. Miles Orvell. Oxford History of Art. Oxford University Press. United Kingdom. 2003. pp. 204-207.

• Disappearing Witness. Change in Twentieth Century American Photography. Gretchen Garner. The Johns Hopkins University Press. Baltimore. MD, USA, 2003. p. 248.

• Los Paisajes de la Contracultura. Cuadernos de Contracultura 1. Ediciones sin nombre. Mexico City,mexico. 2003. Cover by Pedro Meyer.

• Miradas Guadalupanas. CONACULTA, Jus. Ed Encuentro, Mexico. 2003. pp. 182-183, 238-239.

• Mapas Abiertos. Fotografía Latinoamericana. 1991-2002. Alejandro Castellote. Spain, 2003. p. 298.

• The Photography Reader. Liz Wells, Routledge, United Kingdom.2003. p. 317

• The Photography Handbook. Terence Wright. Routledge, United Kingdom. 2003 p. 210

2002

• A day in the life of Africa. Tides Foundation, San Francisco, USA. 2002. pp. 58, 69.

• A Day in the Life of Africa, Radicalmedia, USA, 2002.(CD-ROM)

• Phototruth Or Photofiction? Ethics and media imaginery in the Digital Age. Tom Wheeler. Lawrence Erlbaum Associates. New Jersey, USA. 2002. pp. 101, 136, 138-139

• Photography Past Forward. Aperture at 50. Aperture, New York, USA. 2002. p.170

2001

• ABCDF Diccionario Gráfico de la Ciudad de México. Fundación Televisa. CONACULTA. Diamantina. Mexico City. Mexico. 2001. pp. 658, 873, 1016-1017.

• History Painting Reassessed. David Green, Peter Seddon. Manchester University Press. United Kingdom. 2001. pp. 62-63.

• Mexican Suite. Olivier Debroise. University of Texas Press. USA. 2001. pp. 7, 15, 133, 149. 153, 155, 247, 252, 267, 269, 270.

• Nacho López, Mexican Photographer. John Mraz. University of Minessota Press. USA. pp. xiv, 172, 185, 187, 190, 198, 236- 238.

• The Book of Alternative Photographic Processes. Christopher James. Thomson Delmar Learning. Canada. 2001. p. 55.

2000

• Efe ocho por uno. Omar Gasca. Universidad de Ciencias y Artes de Chiapas. Mexico. 2000. pp 81-93.

• Seizing the Light. A History of Photography. Robert Hirsch. Mc Graw Hill. USA. 2000. p. 480.

• Dangerous Border Crossers. Guillermo Gomez-Pena. Routledge, United Kingdom. 2000. p 247.

• Photography: A Critical Introduction. Liz Wells. Routledge, United Kingdom. 2000. pp. xix, 308, 340, 380.

1999

• Remediation. Understanding New Media. The MIT Press. London, England. pp. 107-111.

• Voyeur. HarperCollins. Hong Kong. pp. s.n.

1998

• Image and memory. Photography from Latin America. 1866-1994. Edited by Wendy Watriss y Lois Parkinson Zamora. University of Texas. FotoFest, TX, USA. 1998. pp. 3, 75-77, 89, 90.

• Picture Collections: Mexico. Martha Davidson. The National Endowment for the Humanities. USA. 1998.

• Photography 1900 to the present. Diana Emery Hulick, Joseph Marshall. Prentice Hall. New Jersey, USA. pp. 250.

• The Gait Workbook. A practical guide to clinical gait analysis. Jan Bruckner. Slack. New Jersey, USA. 1998. cover.

1997

• El beso de Judas. Fotografía y verdad. pp. 53, 145. Gustavo Gili. Barcelona, Spain. Article by Joan Fontcuberta.

1996

• 24 Hours in Cyberspace: Painting on the walls of the digital cave. Rick Smolan y Jenniffer Erwitt. Macmillan, New York, USA. 1996. p. 214.

• Le baiser de Judas. Phographie et vérité. pp. 44, 103. Joan Fontcuberta. Actes Sud. France, 1996.

• A Short Course in Photography. Barbara London and Jim Stone. Harper Collins. New York, USA. 1996. p. 152.

1995

• The Photographic Image in Digital Culture. Routledge, United Kingdom. 1995. pp. 63, 66.

• Contemporary Photographers. p. 757. St. James Press. USA, 1995.

• Technology of the Wild. pp.267-269, 271, 273, 279, 281, 283. Japan, 1995.

• New Feminist Art Criticism. Katy Deepwell. Manchester University Press. United Kingdom. 1995. p. 172

1993

• Communication Arts. Photography Annual. Coyne & Balnchard. California, EU. 1993. pp. 160-167.

• Canto a la realidad. Fotografía Latinoamericana 1860-1993. pp. 64, 364-365. Erika Billeter. Lunwerg, Spain. 1993.

1992

• The Other Side. Fault Lines, Guerrilla Saints and The True Heart of Rock 'n' Roll. Rubén Martínez. Verso. USA, 1992. Cover y p. 111.

1991

• The Circle of Life: Rituals from the human family album. Cohen. Japan. 1991. pp. 146-147.

• La Raccolta Fotografica. Grafis Edizioni. p. 125. Italy. 1991.

• The Skeleton at the Feast. The day of the Dead in Mexico. Elizabeth Carmichael. University of Texas Press. USA. 1991. p.147.

1989

• Episodios Fotográficos. Raquel Tibol. Libros de Proceso. Mexico. 1989. pp. 273-293.

1988

• Contemporary Photographers. St James Press Chicago and London. London, England. 1998. Photograph by Pedro Meyer. pp. 686-687.

1987

• Latin America: Myth and Reality. A radio Play Series of the Westdeutscher Rundfunk, Cologne 1957-1987. Germany, 1987. pp. 33, 85, 90.

• Feito na América Latina. II Colóquio Latino-Americano de Fotografia. Coleçao Luz & Reflexao. Conselho Mexicano de Fotografía. Ministério da Cultura. FUNARTE. 1987. Palavras de apresentaçao. II Colóquio Latino-americano de Fotografía. Photograph by Pedro Meyer. pp 7-12.

1986

• A history of Photography. J. Lemagny. Bordas. Paris, France. 1986.

1985

• Library of Nations. Mexico. Time Life Books. VA, USA, 1985. Photographs by Pedro Meyer and Graciela Iturbide. pp. 8-9, 24, 37, 40-41, 47-51, 64-67, 70-71, 7789, 90-97, 105, 136-137, 141, 143-147.

• Nuestros Mayores. ISSSTE, Mexico City, Photographs by Pedro Meyer. 1985. pp. 92 y 142.

1984

• A World History of Photography. Naomi Rosenblum. Abbbeville Press. New York, USA. 1984. p. 539.

1983

• ReinvindicaciÑn del placer. M. Vasconcelos. Ediciones Ulises Mexicano. Mexico City, Mexico, 1983. Cover by Pedro Meyer

1982

• Contemporary Photographers. McMillan. Hong Kong, China. 1982. Photograph by Pedro Meyer p. 509-510.

1981

• Aspectos de la fotografÕa en Mexico. Vol 1. FederaciÑn Editorial Mexicana. Mexico. ”ptica de un FotÑgrafo Latinoamericano by Pedro Meyer pp. 71-82. Photograph by Pedro Meyer in an article by Carla Stellweg Una panoràmica, proyecciÑn de la fotografÕa en Mexico. p. 26.

1980

• Cuadernos de Uno màs Uno. La Batalla por Nicaragua. Ed, Uno. Mexico, 1980. Photograph and texts by Pedro Meyer. pp. 32, 47, 49, 122- 134, 205, 275, 279.

1979

• Photography Year 1979. The Major Shows Eye-opening. Debuts in Latin America. Time Life Books, New York, USA. 1979. pp. 74, 80. Photograph by Pedro Meyer.

• Nicaragua, Aøo Cero. La caÕda de la dinastÕa Somoza. May Antonio Sànchez. Ed. Diana. Mexico City, Mexico. 1979. Cover by Pedro Meyer.

• PoesÕa y revoluciÑn. Ernesto Cardenal. ColecciÑn Filosofia y LiberaciÑn Latinoamericana. Ed. Edicol. Mexico City, Mexico. 1979. Cover by Pedro Meyer.

1975

• The Photographers’ Choice. Edit by Kelly Wise. Addison Gallery, Danbury, New Hampshire, USA. 1975.

1971

• La noche de Tlatelolco. Elena Poniatioiwska. Editorial Era, Mexico City, 1971. Cover and photographs by Pedro Meyer.

• Los dÕas y los aøos by Luis Gonzàlez de Alba. Ediciones Era, 1971. Cover by Pedro Meyer.